Two new reviews in Magenta Magazine: Le Mois de la Photo and Douglas Coupland

The Fall 2011 edition of Magenta Magazine was just launched into the internet, and it contains two pieces I wrote this fall: a broad, overall review of Le Mois de la Photo 2011 Lucidity: Inward Views, and an interview with Douglas Coupland about his latest public art piece, Group Portrait 1957. Click the images below to read the full reviews on Magenta’s website. Check out some of the other articles as well.. there is lots of interesting reading!

Mois de la Photo 2011 review Magenta

I had a terrific trip to Le Mois de la Photo, but I found it really difficult to write about (partly because, aside from notes I managed to scribble down before bed each night, I waited far too long after returning from Montreal to actually write the review. Lesson learned!) There were some definite highlights, Jesper Just’s work (seen in the image above) being one. Festivals, even one as subdued and restrained as Le Mois, are intense experiences and sometimes their advantage (lots of art, all in one place!) is simultaneously their downfall (art burnout!) Luckily I was with two awesome photo-loving friends and we managed to see a lot in two and a half days.

Douglas Coupland review Magenta fall 2011

I was excited to interview Coupland, even by email, since I’ve read several of his books and generally followed his trajectory with interest and curiosity. Though I’m not always a huge fan of what he creates, he’s an undeniable Canadian icon.  Sadly, I haven’t had a chance to see this newest installation in person yet (it’s in Oshawa; really not that far away!) but judging by the installation photos, it’s pretty nifty.

Other than these two little reviews, where have I been? Back at school! That is; working as I was before at Canadian Art, and taking two night classes. I’m taking a course to amp up my grammar skills, and a course about the editing process. It’s going well, but really does make the week drag on. At the same time, I can hardly believe we’re at November already, and that I let September and October pass without a single blog entry.

My excuse, of course, is that between work and school there isn’t much free time left for writing projects. I continue to edit, as mentioned beforeGallery 44’s blog, which I hope you’re reading if you’re interested in photography. It’s a really valuable project for me, and I’m loving working with Lise, the blog contributors, and the rest of the staff at Gallery 44. I also owe a big thanks to Bill Clarke, editor of Magenta Magazine, for his positivity and encouragement. No more two-month breaks from this blog!

CONTACT Photography Festival madness..

If you follow me on Twitter, you’ve probably already seen that I wrote a great big preview post on CONTACT Photography Festival for BlogTO last week, just in advance of the festival launch. If you haven’t read it yet, I encourage you to check it out and add your own picks in the comments section!

I managed to make it to the launch party at MoCCA  (as well as my alma mater‘s grad show, Maximum Exposure, at the Gladstone) but other than that, I’ve been completely occupied with the life-overtaking activity of moving to a new apartment. Phew!

On the agenda this week, I’m celebrating my first time being published in print with the launch of Prefix Photo 23: Shadow Plays, on Thursday May 5th. Stay tuned— I’ll be posting later this week again about the piece I wrote for Prefix.

Late this month, I have a few plans up my sleeve for writings on the many CONTACT exhibitions I’m planning on seeing. But before then, I’ll be visiting Vancouver and Victoria, so while I’ll be away, I’ll probably accumulate some good visual experiences to share here. Happy May!