The talk of the Toronto art world for some time now, The Power Plant has finally reopened after its two-month closure for renovations, which they dubbed the “Refresh” Project. Coupled with some staffing changes—the arrival of new curator Melanie O’Brian, and the much-speculated-over departure of director Gregory Burke—all this news and gossip almost overshadowed the exhibitions!
I interviewed Burke and assistant curator Jon Davies about the changes taking place, and of course, the exhibitions. Read the resulting piece here in Magenta Magazine.. and be sure to check out the Power Plant’s new website. It’s no Ciel Variable, but it sure is an improvement.
As for the exhibitions, my feelings are mixed, having now actually seen them (as opposed to when I wrote the piece in February). Phantom Truck and Always After (The Glass House) form a really nice minimalist counterpoint to the in-your-face Das Auge, which is overwhelming (although it left me underwhelmed.) Topping it off is To What Earth Does This Sweet Cold Belong?, an excellently curated, modest meditation on the mediated landscape. Definitely worth seeing.